The development of the film aesthetics
The development of the film aesthetic, this topic is a very meaningful study for a film maker. The course of the study in order to learn what is the movie aesthetic, the goal is to film aesthetics in the future development trend, it will be very useful for the future and film-related work, because it is the basis of film knowledge systems.
The development of science and technology,
it not only brought to mankind from the unprecedented convenience, but also
brought to film for our. Looking at colorful picture on the screen, the ups and
downs of the story, a typical environment, as well as vivid characters, we
might to thought that, why people were attracted by the small screen? Why let
us indulge in the world of film? This is the set questions to
explain what the film aesthetic is.
The
direction of interpretation will be proposed in further studies.
As we all know, the film is developed by
the activity of photography and slide projection technique combined with a modern
art. Is an integrated art which accommodate the literary drama, photography,
painting, music, dance, text, sculpture, architecture and other arts. And art
is expresses the beauty of things or actions form. Thus, we were attracted by
the beauty of the information of film. So, we lead to a topic, what is the film
express the beauty? What is the film aesthetic? Dissertation will answer these
two questions by a two-part and they are aesthetic and film aesthetics.
1. Aesthetic brief introduction
In simple terms, the film aesthetics is an
important branch of the Film Studies and art aesthetics. It is built on the
basis of the science and aesthetics of film, film beauty of art and aesthetic
problems of an emerging discipline. Therefore, in order to better understanding
of what is the film aesthetic, we need to understand what is aesthetic.
From the visual, beauty is through the
visual give us something psychological feeling, let us feel happy and cheerful.
For example, we see flowers, it makes us feel happy, and we will say that it is
beautiful. However, when we see rubbish heap, we feel disgusted, so we can't
speak rubbish heap is beautiful things. Also we often hear art, have you heard
the “ugly art”? Therefore, beauty is human pursuit of things since ancient times,
and the pursuit of beauty is the mainstream of human values. The word
"aesthetics" first appeared in 1735, It is mentioned in the German
esthetician Baumgarten philosophy and meditation on
the poetry.
According to the study of aesthetics, we
can consider the aesthetic is a science which departure from the aesthetic
relations of reality, Art as the main object, to Research aesthetic category of
beauty, ugliness and high ideology, and the person aesthetic consciousness,
aesthetic experience, and the shaping and development and its law. Aesthetics
is a discipline which to aim study to the essence of beauty and its
significance. Aesthetics is a branch of philosophy, the main target of the
study is art, but does not study the specific performance issues in the arts,
it to study the philosophy of art, known as "beauty of philosophy of art”.
The basic problems of the aesthetic have essence of beauty, aesthetic sense
with the aesthetic object.
2. The film aesthetic brief introduction
We know what the aesthetics, what is the
film aesthetics? Now that the film is a comprehensive art, and it carries the
information is very rich, so, film aesthetics is to put the research object of
aesthetics in the film expresses the philosophy information.
I. The formation of the film aesthetics
We can from the development history of the
film at the same time we can see that film’s the development of aesthetics
history. The film was came later art form, it is the product of the industrial
age. Movie from produce until now, general through three stages:
The first phase from 1895 to 1926, the film
was born and began to take shape as an art form. Audiovisual recording function
of the material medium is not complete and only black and white silent film,
the artists of different aesthetic point of view reflected in the shooting of
the film. To the early 1920s, a pioneer in Germany ,
France
and other countries sent Movement of Motion Picture Arts began a conscious
aesthetic exploration.
The second stage, from 1927 to 1945, there
has been major development of film art. In 1928, the emergence of sound film
and color film in 1936, the audiovisual recording function of the material
medium is more comprehensive, broad artistic practice, summed up the aesthetic
thinking of the movie.
The third phase from 1945 to the present,
film arts are reaching maturity, the material medium increasingly sophisticated
audio-visual recording function, concluding World War II and the history of
cinema are different schools of film-making, the use of the fruits of
contemporary humanities research from different levels, different The side
in-depth study, thus forming a different genre of film aesthetics, and
established a different philosophical basis for the film aesthetic system.
These three stages of the development
process, you can clearly see the two factions of the aesthetic flow of the
film; First montage (or Marxism) traditions, First, the documentary (or the
tradition of realism), both the source of the discrepancy between relationship
with reality in the movie.
The montage traditional. Montage is the
transliteration of the French montage, the original meaning
is constitutes and assembly, for the film industry, the meaning was extend
to clip and portfolio. 1916 D.W. Griffith film "Intolerance", becoming
the montage traditional beginning. This film breaking the traditional order of
the time, the place and the action of the drama due to used Montage. Montage
follows the aesthetic principles of art reflects reality. Montage is to reorganize
Real life material, through the selection, refining, summary and processing
procedures to make it highly aesthetic, meet the creators thought, emotion,
attitude and creative intent. Montage gain great development in the United
States Hollywood. Hollywood
filmed musicals, westerns, luxury piece, horror and science fiction films such
as commercial entertainment film caused by the satisfaction of the audience, in
order to escape from the reality, it is called the "dream factory".
Before the end of World War II, Montage have occupied dominant in the film
arts.
Documentary tradition. Film, one of the
inventors, French L.J. Lumiere shooting scenes of life and the documentary film
is the origin of the documentary tradition. 1916 Vladimir Hardy shot a
documentary film “north of Nanook” which introduced the living conditions of
the Arctic Eskimos, it was recognized as the official beginning of the
documentary film. After World War II, Italian neo-realism film has taken a new
technique of expression, they bring the camera came through the streets, not use
professional actor. Italian director firewood cutting the ladder Benny said:
"The life of a person in 90 minutes must not montage breath finished.
Respect the reality also means respecting the reality of the actual time, we
should always be to explore more in-depth analysis of the time this in a moment
of time. “So his use deep focus, long shot caused the real feel of the
space-time continuum. Kracauer, of Bazin in France
and Germany
established school record in the documentary tradition on the basis of
aesthetic theory.
II, the content of film aesthetics
The aesthetic characteristics of the aesthetic nature of the film art; the creation of the film art and real-life relationship and its image depicts the process; the course of development of film art and the concept of film art, genre, style, the rise and fall of transmutation process; the law of the creation of Motion Picture Arts and should be with the aesthetic character; relationship of Motion Picture Arts and other art; the aesthetic value and social function of the film art; the psychological mechanism of the appreciation of film art, process, characteristics, significance and methods.
The aesthetic characteristics of the aesthetic nature of the film art; the creation of the film art and real-life relationship and its image depicts the process; the course of development of film art and the concept of film art, genre, style, the rise and fall of transmutation process; the law of the creation of Motion Picture Arts and should be with the aesthetic character; relationship of Motion Picture Arts and other art; the aesthetic value and social function of the film art; the psychological mechanism of the appreciation of film art, process, characteristics, significance and methods.
III, the film aesthetic characteristics
The film is an art, is the highest form of
aesthetic ability of a human game! Therefore, film gives us feeling with other
art forms there have a huge difference.
The film is an
aesthetic activity. So judging the success of a film, we
must depend on the evaluation of spectators come
to watch the process and watch the body Ministry
sensory Ministry and central Ministry
of feeling. In film aesthetics, the
audience's central activities of the Department play a role
in the weight
of the final evaluation, the central Ministry
of feelings will be decisive in the body department
and sensory Department proceeds to feel the type
and extent of the same or
similar circumstances. The central Ministry
of feelings, but also nothing more comes mainly
from the film's suspense, plot and resonance.
Research methods
Books
aesthetic theory. Aesthetic
Theory is a book by the 20th
century German philosopher Theodor Adorno which was culled
from drafts written between 1961 and 1969, ultimately published posthumously in
1970. Although anchored by the philosophical study of art, the book is
interdisciplinary and incorporates elements of political
philosophy, sociology, metaphysics and other philosophical pursuits
in keeping with Adorno's boundary-shunning methodology.
Philosophy of Art. This is Friedrich
Wilhelm Joseph Schelling work.
Internet
Wikipedia. is
a free, collaborative, multilingual Internet
encyclopedia supported by the non-profit Wikimedia Foundation.
Overall, Film aesthetics with many
philosophical meaning, but as long as we remember that it is the study of the
beauty of the film. Film aesthetics is the film aesthetic sense of abstraction
and sublimation, which engaged in accordance with the laws of the beauty to
study how the relationship between film art creation as well as creative
subject, object, body, receptors, and interaction as the basic task. Therefore,
knowledge of the film aesthetic is very rich, this is only a preliminary
understanding of film aesthetics. We need to constantly explore creative
professional as a film student, film aesthetics, in order to understand why we
in the future to create movies, and understand a film makers should convey the
information of what the beauty.
没有评论:
发表评论